BEST PICTURE
Will Win: Oppenheimer
Could Win: The Holdovers (but not really)
Should Have Been Nominated: All Of Us Strangers
I haven’t been this sure of my Best Picture prediction since… last year. Since expanding beyond 5 nominees this category can be either wholly predictable or nearly impossible to predict. This year the Oppenheimer train is coming in full steam and nothing can really stop it. Sometimes a smaller film can swoop in and beat the big epic… your CODAs, your Spotlights. But those existed in years when the presumed frontrunner was fairly divisive. No one truly hates Oppenheimer and will be very high on most voter’s preferential ballots. It’s also won all the precursors - SAG, BAFTA, Critics Choice, PGA, Globes, DGA - so at this point it would be a shock if it didn’t win. So what is the alternative? I’m not sure really. In years past something like The Holdovers, a simple but heart warming little movie, could easily beat the big bombastic frontrunner. But I don’t think that can happen. Maybe if The Holdovers wins in Original Screenplay it has a chance? But other popular movies like Poor Things I think are too weird and divisive to really make a dent in Oppenheimer's likely triumph. And at this point even Barbie doesn't stand much of a chance, even with all the backlash to Greta's directing snub and Margot's actress snub.
BEST DIRECTOR
Will Win: Christopher Nolan, Oppenheimer
Could Win: Jonathan Glazer, The Zone of Interest
Should Have Been Nominated: Greta Gerwig, Barbie
At this point it would be such a surprise if Christopher Nolan didn’t finally win his first Oscar. Glazer’s work on The Zone of Interest is iconic as is Lanthimos’ surrealist work on Poor Things. Those are visions that could of won in another year but this is Nolan’s year.
BEST ACTOR
Will Win: Cillian Murphy, Oppenheimer
Could Win: Paul Giamatti, The Holdovers
Should of Been Nominated: Andrew Scott, All Of Us Strangers
Last year this category was hard to call because Austin Butler and Brendan Fraser split so many of the precursor awards. Well Cillian won at BAFTA and at SAG this year (and the Globes) so he’s pretty much the frontrunner at this point. I’d say Paul Giamatti has a shot but his winning feels highly unlikely at this point.
BEST SUPPORTING ACTOR
Will Win: Robert Downey Jr, Oppenheimer
Could Win: Ryan Gosling, Barbie
Should of Been Nominated: Charles Melton, May December
It’s Iron Man vs the Hulk in Supporting Actor this year. And Iron Man is taking it. No one is beating Robert Downey Jr at this point not even his Marvel buddy Mark Ruffalo. I guess Ryan Gosling is in second place? That would be such a fun win and would definitely be even more ironic than “Margot Robbie getting snubbed.”
BEST ACTRESS
Will Win: Lily Gladstone, Killers of the Flower Moon
Could Win: Emma Stone, Poor Things
Should of Been Nominated: Natalie Portman, May December
And here we have a race! The battle of the Stones! At the beginning of the season it seemed like Gladstone was taking it all. But then Emma started winning a lot of stuff, but then Gladstone won at SAG so frankly either one of them can take it. I’m giving the edge to Lily since she won SAG and I was wrong last year for picking Michelle Yeoh who also won SAG before winning the Oscar. Many think there could be a split leaving room for a surprise Sandra Huller win. No no no. Won’t happen. No lead performer has won Best Actress or Actor without at least winning one major precursor award since Adrien Brody in 2003. Sandra didn’t even win BAFTA like so many had predicted. And the only reason Lily didn’t win there was because she wasn’t nominated. Even win surprises happen here like Marion Cotillard, Olivia Colman, etc, they also won at BAFTA and the Globes so they weren't really not all that shocking in retrospect. This is exactly why I thought the people who all of a sudden started predicting Penelope Cruz for Parallel Mothers in 2022 were literally insane.
BEST SUPPORTING ACTRESS
Will Win: Da’Vine Joy Randolph, The Holdovers
Could Win: Emily Blunt, Oppenheimer (not really)
Should of Been Nominated: Julianne Moore, May December
Can anyone really beat the season steamroller known as Da’Vine Joy Randolph? Not really. Place all your chips here and don’t look back.
ANIMATED FEATURE FILM
Will Win: Spider-Man Across the Spider-Verse
Could Win: The Boy and the Heron
Flip a damn coin cause I literally have no idea. Both films have things for and against them. The Boy and the Heron is from Japanese animation master Hayao Miyazaki who has only won once. Do voters really know him and want to award him? And then we have the Spider-Verse sequel. It feels like a miracle itself that the first Spider film won, let alone the (admittedly even more critically acclaimed) sequel. I really don’t know which way it’s gonna go. I think I’m leaving Spider-Man since it won the Annie Award. It’s also worth noting that only sequels that have won in this category were Pixar films: Toy Story 3 and Toy Story 4.
CINEMATOGRAPHY
Will Win: Oppenheimer
Could Win: Poor Things
One of Oppenheimer’s practically guaranteed technical wins. They even “invented” black and white IMAX film stock cause it didn’t exist before this.
COSTUME DESIGN
Will Win: Poor Things
Could Win: Barbie
Ok I was wrong about Elvis last year. That movie went home empty handed. It’s possible Poor Things could end up with a bunch of awards or none at all. But I think it will win here and in Production Design in a very tight race with Barbie. I just thing the wildly crazy and inventive costumes here will triumph over Barbies equally fun not quite as impressive work. But really it could go either way.
DOCUMENTARY (FEATURE)
Will Win: 20 Days in Mariupol
Could Win: Bobi Wine: The People's President
DOCUMENTARY (SHORT SUBJECT)
Will Win: The Last Repair Shop
Could Win: The ABCs of Book Banning
FILM EDITING
Will Win: Oppenheimer
Could Win: Anatomy of a Fall
I honestly don’t know who wins here instead of Oppenheimer a sprawling 3 hour epic that is entertaining, suspenseful, spans different timelines, takes places over several years and is never boring. It’s practically a miracle this movie is as good as it is and it’s because it’s well-edited.
INTERNATIONAL FEATURE FILM
Will Win: The Zone of Interest
Could Win: Society of the Snow (not really)
The Zone of Interest has this in the bag. Especially because Anatomy of a Fall isn’t nominated here (because France didn’t submit it, so it wasn’t eligible). Even ignoring the fact that The Zone of Interest is about a subject that is catnip to the Academy (the Holocaust) it’s one of the most powerful, important, and flat-out fascinating films ever nominated in this category. There is a reason it got the nominations it did.
MAKEUP AND HAIRSTYLING
Will Win: Maestro
Could Win: Poor Things
This is actually one of the tougher technical categories for me to predict this year. Usually this award will lineup with an acting win. It did last year with The Whale. Maestro feels like the frontrunner based on Bradley Cooper’s impressive transformation into composer Leonard Bernstein. But Cooper isn’t the Best Actor frontrunner. I think it could still win here because makeup that brings real life people to life does well here. But don’t rule out something like the sci-fi/fantasy heavy Poor Things. I mean even Oppenheimer has impressive old age makeup.
MUSIC (ORIGINAL SCORE)
Will Win: Oppenheimer
Could Win: Poor Things
Ludwig Göransson is set to take home his second composing Oscar and he’s not even 40. I’m honestly not sure how anyone else wins here. Poor Things marks composer Jerskin Fendrix’s feature film debut and it’s pretty inventive. Robbie Robertson who composed Killers of the Flower Moon’s score died in August so I’m sure he’ll get some emotional posthumous votes. Still think this is Oppenheimer’s to lose.
MUSIC (ORIGINAL SONG)
Will Win: “What Was I Made For” from Barbie
Could Win: “I’m Just Ken” from Barbie
Barbies only real compeition here is itself. I think the Academy will go with the more “serious” song over the silly but fun “I’m Just Ken.” But don’t count out Diane Warren who’s on her like millionth nomination without a win. But she does have an honorary Oscar.
PRODUCTION DESIGN
Will Win: Poor Things
Could Win: Barbie
Another Poor Things vs Barbie race and I think Poor Things just barely has the edge. Either would be a deserving winner. I’m predicting, perhaps foolishly, Poor Things for both this and Costume Design.
SHORT FILM (ANIMATED)
Will Win: WAR IS OVER! Inspired by the Music of John and Yoko
Could Win: Letter to a Pig
SHORT FILM (LIVE ACTION)
Will Win: The Wonderful Story of Henry Sugar
Could Win: Red, White and Blue
SOUND
Will Win: Oppenheimer
Could Win: The Zone of Interest
Best Sound and Film Editing go hand in hand a lot lately – except for last year – which is only one of the many reasons Oppenheimer will win this one as well. Though The Zone of Interest is really all about the sound design. I think it could of won in a weaker year of nominees.
VISUAL EFFECTS
Will Win: Godzilla Minus One
Could Win: The Creator
Nary a Best Picture nominee in this bunch so I honestly have no idea what’s gonna win. So many of the obvious picks like Oppenheimer, Barbie, or Poor Things just didn’t make the cut. And there isn't an obvious CGI visual spectacle ala Avatar this year. I honestly think a case could be made for any of the five nominees. Only The Creator and Napoleon have nominations in other categories which could give them a leg up but really it could go any way. May the odds be ever in your favor.
WRITING (ADAPTED SCREENPLAY)
Will Win: American Fiction
Could Win: Oppenheimer
Should of Been Nominated: All Of Us Strangers
Oppenheimer could sweep and win this award too. Or maybe disgruntled Greta Gerwin fans will push her to win here, but it’s odd Adapted classification doesn’t really do it any favors. Which is why the Academy may lend a hand to the witty and fun American Fiction just the type of delightful movie that tends to win screenplay Oscars.
WRITING (ORIGINAL SCREENPLAY)
Will Win: Anatomy of a Fall
Could Win: The Holdovers
Should of Been Nominated: Saltburn
With Barbie out of the running in this category and I’m fairly certain this is the place the Academy can reward Anatomy of a Fall. Especially since it’s no in the International Feature category. I honestly thought at the beginning of the season that The Holdovers would be running away with original screenplay wins leading up to the Oscars but Anatomy of the Fall has shown much more support. But this is in no way a done deal.
