Saturday, March 26, 2022

Oscar Forecast: The Power of the Dog with a Chance of CODA

Another year of covid and another year of no clear frontrunner for several categories. It’s gonna be a squeaker.

BEST PICTURE - The Power of the Dog

So it’s CODA vs The Power of the Dog. CODA has impressed with a surge of industry-backed awards like SAG ensemble and the PGA win for Best Picture. But you know what movie also won those awards and lost the Oscar for Best Picture? Little Miss Sunshine. I just can’t imagine a film with only THREE nominations winning all three. But at the same time, I don’t necessarily see The Power of the Dog running to a win either. It has the nominations on its side and has enough industry support to give it a win. But is it too weird or divisive? Normally I’d say yes, but offbeat films like Parasite and Nomadland have one recently so Power of the Dog doesn’t feel like that far of a stretch for a win. At this point I wouldn’t be particularly surprised if neither of them won and something like Belfast (the early frontrunner) ends up Spotlight-ing the hell outta of it. I’m staying with Power of the Dog because I don’t feel confident splitting up Best Pic and Best director...

DIRECTING - Jane Campion The Power of the Dog

She won the DGA and even a gaffe at the Critics Choice Awards shouldn’t derail a woman from taking home this award for an unprecedented second year in a row.

BEST ACTOR - Will Smith, King Richard

The “it’s his time” narrative is strong with this one. And he’s very good in a well-liked Best Picture nominee.


If Troy doesn’t win here there’s no way it’s winning Best Picture, end of story. And he’s great!

BEST ACTRESS - Jessica Chastain, The Eyes of Tammy Faye

There’s apparently been a surge of support for Penelope Cruz so I guess it could happen. But just because so many of those “brutally honest Oscar ballots” claim they’re voting for Cruz doesn’t mean she’s gonna win. Chastain has won the GG, Critics Choice, and SAG and so she’s the frontrunner. But honestly? Anything can happen here.

BEST SUPPORTING ACTRESS - Ariana DeBose,West Side Story

She’s the heart and soul of Spielberg's new take of West Side Story and there’s a reason Rita Moreno won this award for the same exactly role over 60 years ago. It’s a great character and bother actresses have knocked it outta the park. The one practically guaranteed win for WSS (unfortunately).


We don’t talk about Encanto not winning Best Animated Feature.

CINEMATOGRAPHY - The Power of the Dog

A win for The Power of the Dog here would mean the first win for a woman in this category. I think the Academy knows that. And I think it deserves a win here. Though the flashier, effects driven look of Dune may likely prevail.


This movie was about costume design and it’s the most flashy and deserving nominee.



It’s Friday Night Lights meets CODA.


This one is driving me crazy. Sound driving movies have won steadily here recently, ie, Whiplash, Sound of Metal, Ford v Ferrari, so since I’m going with Dune for Best Sound I’m also picking it here.


No real contest when a film here is also up for Best Picture. Right Parasite?


I’d honestly be surprised if anything else won, unless Dune practically sweeps of course...

MUSIC (ORIGINAL SCORE) - The Power of the Dog, Jonny Greenwood

Another category giving me indigestion. Most pundits have Hans Zimmer taking this for Dune. He hasn’t won since 1994’s The Lion King. Which is crazy. But the academy loves awarding fresh talent here so I think Radio Head guitarist Jonny Greenwood could take it.

MUSIC (ORIGINAL SONG) - “No Time to Die” from No Time to Die; Music and Lyric by Billie Eilish and Finneas O'Connell

A fairly snoozy category this year (like almost every year as of late) I’m sure anything could happen here. A win for Encanto would mean Lin Manuel finally completes his EGOT. But it wouldn’t be for We Don’t Talk About Bruno since it wasn’t even submitted by Disney for consideration.


I’d be genuinely surprised if something else won here but something like Nightmare Alley or The Tragedy of MacBeth wouldn't be out of question.


It’s apparently the least traumatic of the animated shorts this year.


A win for The Long Goodbye would make actor Riz Ahmed an Oscar winner! Some are predicting Please Hold

SOUND - Dune

The loudest movie usually wins. Unless of course there is a flashy musical…. But I still think Dune will take this.


It’s difficult for a non-best picture nominee to triumph here when it’s up against a Best Pic nominee. Which is why I’m going with Dune. The year Ex Machina surprised was a weird fluke because there were 3 Best Pics nominated that year.


If CODA wins here I think it definitely could win Best Picture. But remember, Little Miss Sunshine won for Original Screenplay and Best Supporting Actor and still lost the big prize. I think a win for The Power of the Dog or even The Lost Daughter isn’t out of question. I’m excited for this one!

WRITING (ORIGINAL SCREENPLAY) - Belfast, Kenneth Branagh

Easily one of the toughest calls of the night to make. I HAVE NO FRIGGIN IDEA. Months ago I would of said Paul Thomas Anderson would win this in a walk but now I’m not so sure. The fact that he’s getting lots of flack about a particularly racist character certainly isn’t help his case. I also think a lot of Academy members don’t see this as a particularly cohesively written film. Don’t Look Up won at the Writers Guild but they’re writers and the whole Academy votes here. Which is why I’m going with early frontrunner Kenneth Branagh for Belfast because it seems like the easiest place to reward it, otherwise I have no real idea what’s gonna win.

Sunday, March 20, 2022

Jets and Nuns, and Culottes, Oh My! The Best Films of 2021

It’s March. The Oscars are one week away. I think it’s about time I finally revealed my favorite films from 2021. Generally I think because of the pandemic, last year was one of the “weaker” years for movies. But at least there were movies even if they didn’t come as frequently as in years past. There were plenty of really solid and wonderful films you just have to look harder for them. Let’s do this!

West Side Story (dir. Steven Spielberg)

It’s about time the great Steven Spielberg topped my list of the best movies of the year (The last time was way back in 2005 with “Munich”). His updated take on the 1961 musical West Side Story is so utterly brilliant and gorgeous. Every change subtle or big works in the film’s favor and improves upon the classic but problematic 60s version. I can’t stop watching this film and it’s currently on Disney+ and HBO Max where it deserves to be watched over and over. (Technically it deserves to be watched on a big movie theater screen but not many of you showed up).

2) Malignant (dir. James Wan)

Horror master James Wan does it again this time with an utterly ridiculous and original premise about a woman who is haunted by some kind of ghostly apparition that happens to be going around murdering people. You can’t really say much unless you want things spoiled but this thing is just ridiculous and crazy and admire it for the direction that it goes in. Those expecting another classically told, straightforward horror film will be severely disappointed. Malignant is a campy and gory hoot that is not to be missed as long as you know what you’re getting into.

3) CODA (dir. Sian Heder)

CODA is an acronym for “child of deaf adults” and I’m not sure that’s ever actually mentioned in the film. It follows a hearing teenage girl whose mother, father, and older brother are all deaf. She joins the choir and has aspirations to study music in college which causes tension between her and her working class fisherman family. The film will tug at your heartstrings and is a wonderful, authentic look at a deaf family and the complications that come with having their daughter sort of default to being their interpreter. If the ending doesn’t make you smile or cry you’re not a human.

4) Barb and Star Go to Vista Del Mar (dir. Josh Greenbaum)

Oh lord I’m so glad this ridiculous movie exists. Sort of a weird mix of Romy & Michelle, the Muppets, Austin Powers, and SNL, Barb and Star follow two middle aged women who decide to get wild and take a trip to Vista Del Mar, Florida. Bridesmaids writers Kristin Wiig and Annie Mumolo star as the weirdo, culotte-wearing best friends and are super funny. This is a truly bizarre comedy that is certainly not for everyone but it certainly is for me.

5) Spider-Man: No Way Home (dir. Jon Watts)

The Spider-Man film to end all Spider-Man films. Frankly I’m not sure how they could possible get any better.

6) Shang-Chi and the Legend of the Ten Rings (dir. Destin Daniel Cretton)

Another winning entry in the MCU film. Newcomer Simu Liu and the hilarious Akwafina are simply wonderful together in this superhero origin tale. So many wonderful set pieces; this a kung fu movie for people who don’t really like kung fu movies and I really dug it.

7) The Worst Person in the World (dir. Joachim Trier)

Sort of a Norwegian Annie Hall, this romantic comedy is a wonderful delight. The film follows a young woman over the course of a few years as she navigates life and love and tries to figure out what the hell she wants to do with her life. The film is told in an interesting way and Renate Reinsve gives a charming performance. The film is funny but also goes to some darker places and is ultimately extremely relatable and moving.

8) Candyman (dir. Nia DaCosta)

Not quite a remake, not quote a sequel. Ok actually it is technically a sequel. A wonderfully creepy take on the Candyman legacy that adds a lot to this genre and like the best horror films, it has a lot of say about society.

9) tick tick… BOOM! (Lin-Manuel Miranda)

I’m pretty sure 2021 will go down as the year of the musical that people didn’t see or watch. Tick Tick Boom! premiered on Netflix and is wonderfully inventive and offers lots of fun, catchy music. Andrew Garfield gives a wonderful performance as Jonathan Larson, the guy who would go on to create the musical RENT. This is a very autobiographical musical. As someone who is faily unfamiliar with RENT (I’ve only ever seen the film adaptation, I know I know) I really dug this and found it to be highly entertaining. Lin-Manuel makes an auspicious directorial debut!

10) Benedetta (dir. Paul Verhoeven)

Showgirls director Paul Verhoeven is no stranger to controversy. And he’s probably made his most controversial movie yet! After the critical failure of Hollow Man in 2000 (hey I liked it) he went back to Europe to make movies there. This time he brings us the true story of Benedetta Carlini a novice nun in Tuscany who is able to perform miracles and causes quite a stir in the convent when she beings a relationship with one of the other nuns. It’s Showgirls meets Sister Act meets Stigmata. What else do you need to know? It’s completely bonkers in that perfect Paul Verhoeven way.

11) The Mitchells vs. the Machines (dir. Michael Rianda)

A wonderful animated tale of an ordinary family who has to deal with a sudden robot apocalypse while on vacation. Gorgeous animation, clever humor, terrific voice work, and a fun story and its from the guys who made The LEGO Movie and Spider-Man Into the Spider-Verse so there you go.

12) King Richard (dir. Reinaldo Marcus Green)

If you told me that a movie about the father of two tennis stars was one of the best movies of the year I’d think you were crazy. But King Richard is great! A fairly straightforward “based on true events” tale of Richard Williams the father of tennis superstars Venus and Serena as he helps coach them and mold them into the amazing athletes they became. It doesn’t really break the mold but Will Smith is really good as is the whole cast and I really found this story somewhat intoxicating.

13) Licorice Pizza (dir. Paul Thomas Anderson)

I have a love-hate relationship with PT Anderson; I love sprawling ensemble quality of Boogie Nights and Magnolia but then he got really annoyingly pretentious with things like There Will Be Blood and The Master, etc. Licorice Pizza sort of falls somewhere in between but is a fun throwback 70s set dramedy about coming of age in the San Fernando Valley. I enjoyed the sort of vignette like quality to the story and the cast is fairly strong with the scenes with Bradley Cooper being among the best.

14) The Map of Tiny Perfect Things (dir. Ian Samuels)

A sort of angsty teen version of Groundhog Day follows a teen boy and girl as they relive the same day over and over again and fall in love in the process. Not unlike the other romantic Groundhog Day comedy Palm Springs, but I found this to be much more enjoyable.

15) No Time to Die (dir. Cary Joji Fukunaga)

The Daniel Craig James Bond era comes to a smashingly good close with another enjoyable adventure made with ridiculous cinematography and crazy stunt work.

16) In the Heights (dir. John M. Chu)

Yes another musical. This is a real delight. And yes Lin-Manuel is involved yet again. Is there anything this guy can’t do?

17) House of Gucci (dir. Ridley Scott)

Yes I liked it. Yes I think it’s campy and silly. And yes I don’t hate Jared Leto in this. It's also transfixing.

18) The Lost Daughter (dir. Maggie Gyllenhaal)

Oliva Colman gives another wonderful performance as a British woman whose vacationing by herself on a Greek island and the layers slowly begin to peel back showing why she’s so melancholy. Maggie makes a particularly impressive directorial debut in a film that features some truly wonderful performances and somewhat of an intriguing mystery.

19) Don’t Look Up (dir. Adam McKay)

Another movie that Twitter hates. But I laughed a lot. This dark comedy from Adam McKay is easily my favorite of his recent string of “serious awardsy comedies” and follows scientists as they try to warn the world of impeding doom in the form of a comet that is about to strike earth. But no one seems to care. As someone who is a big fan of disaster movies I thought it was a hoot and had something to say. Oh and that cast!

20) Mass (dir. Fran Kranz)

Two couples talking in a room. That is Mass. And it’s fairly riveting. I love movies where you don’t know what is going on until you slowly begin to understand based on the talky dialogue. Nothing remotely flashy here but some searing performances. I’ll probably never watch this again since it’s so heavy but it’s worth a watch if you know what you’re getting into.