The story of the
Tonya Harding scandal is so bizarre it seems like something concocted
by the Coen brothers. And in that way the satirical docudrama “I,
Tonya” feels like a long lost notch in the Coen’s filmography.
Employing fun storytelling devices like multiple and unreliable
narrators, “I, Tonya” is an ice-cold black comedy about notorious
figure skater Tonya Harding that features fantastic performances,
clever direction, and a truly witty screenplay. It’s the only way to
tell this bizarre true-life story of
a woman who had to overcome being constantly surrounded by complete
jackasses.
Most people will
probably see “I, Tonya” because of “the incident” as the
film’s characters refer to it, but it’s pretty much a recreation
of the life of Tonya Harding and her trashy upbringing and really
looks to set things straight about her involvement in the 1994 attack
on Nancy Kerrigan. In lesser hands this could have easily been a
cheesy made-for-TV movie (there were plenty of those back in the day)
but in the hands of screenwriter Steven Rogers and director Craig
Gillespie, “I, Tonya” is a clever and darkly comic scathing satire
of fame, class, and the pursuit of the American dream.
The film centers
around the lead performance of Margot Robbie as disgraced Olympian
Tonya Harding. From an early age Harding was thrust into training but
her trashy, abusive mother was as much of a burden as she was her
support system. This stage mother from hell is played with perfection
by Allison Janney in a bravura performance that makes you cringe and
laugh, usually within the same scenes. Robbie is also a revelation as
Harding. She transcends mere impersonation and becomes the embodiment
of someone who’s constantly being beaten down, sometimes literally.
Her abusive, dimwitted husband Jeff Gillooly is played with squirmy
verve by Sebastian Stan.
The characters,
playing present day older versions talk to the camera in documentary
style and spend the film taking turns narrating the events that lead
to the Nancy Kerrigan incident. The characters often contradict each
other and even break the fourth wall in scenes set during in the late
80s and early 90s. It’s a fun and clever approach to a story we’ve
seen covered to death. Gillespie, no stranger to unconventional storytelling (see "Lars and the Real Girl") is obviously having fun with time
and place and it works for the film. And the script is often bitingly
funny but it has it’s dramatic moments as well; Harding life was
hardly easy. She was constantly frowned upon from other in the
industry and even the judges who refused to score her with the same
standards as per competitors. And the film even if it plays with the
real life a bit (Harding never told a judge to suck her dick, fyi)
the film is almost shockingly accurate in the portrayal of its
well-documented events.
“I, Tonya” is a
fascinating little movie of a ridiculously outrageous personality. It
amazes me to this day how much of a big deal the Harding story
became. The film is a fun reflection of the time (with an awesome
soundtrack as well) and it refuses to play by the rules in the best
way possible. This isn’t your standard biopic in any sense of the
term. The actors really go for it here, especially a surprisingly
empathetic Robbie and an otherworldly nasty Janney who have both
never been better. The film goes for the gold and the jugular. GRADE: A
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