If anyone can find any fault with Titanic it’s probably the film’s mildly subpar screenplay written by Cameron himself. Some lines of dialogue are cheesy (“My mother saw him as an insect, a dangerous insect which must be squashed quickly,” older Rose proclaims.) And some scenes are just sort of awkward, including Jack teaching Rose how to “spit like a man.” The Academy agreed, snubbing Cameron in the Best Original Screenplay category that year (Don’t fret, he walked away with three Oscars that night). The film sort of awkwardly uses a present day framing device and a MacGuffin (a greedy shipwreck explorer played by Bill Paxton is looking for a famous jewel, The Heart of the Ocean, which supposedly was part of the Titanic wreckage), which basically just gave Cameron an excuse to explore the ship’s real wreckage and integrate the footage into the movie. And old woman named Rose (Gloria Stuart), who survived the tragedy, accounts her experience on the famous ship - which consisted of a love affair with a poor guy.
If a weaker screenplay is Titanic’s only real fault, it makes up for it in nearly every other cinematic area. The performances are simply exquisite. Kate Winslet singlehandedly cemented her wonderful American acting career in the role of Rose Dewitt Bukater. She plays a rich woman who longs for something more in life. It’s refreshing to see a woman in this time period who’d rather slum it with a poor guy than discuss finances at teatime. And Leonardo DiCaprio, as the good-at-poker steerage passenger Jack Dawson, sailed into the hearts of nearly every teenage girl on the entire planet. “Titanic” was a movie that made movie stars and even though DiCaprio was not nominated for his performance, he has come to be regarded as one of the best actors of his generation.
It is Cameron’s minute details that can really make a viewer appreciate why “Titanic” is such a terrific film. Nearly all the characters (besides Jack and Rose and her family) are real-life people who were actual passengers on the ship. We meet the captain and even the ship’s builder. And the famous “Unsinkable” Molly Brown (played here by the always wonderful Kathy Bates) makes an appearance and even helps Jack fit in with Rose and her rich, stuck up family. Just look at the film and you can witness its opulence. Cameron actually built a smaller replica of the entire ship, which helped the film’s budget bubble wildly out of control. But you can see all the great attention to detail in the film’s glorious production design. And look at the costumes and make-up. The film gets every period detail perfect, down to every button and seam. And the fact that the film mixes eye-popping visual effects with this period detail makes the film one of a kind. The first half of the film works as an opulent drama that introduces us to the world of the Titanic and its passengers, while the film’s second half works as a balls-to-the wall action flick as the passengers try to avoid succumbing to the Atlantic Ocean’s deathly cold temperatures (James Horner’s haunting score helps sell the emotion). It also features plenty of Cameron’s trademark steely blue lighting (let’s thank cinematographer Russell Carpenter). Of course, the less said about the sort of out-of-nowhere gun chase the better.
“Titanic” is a glorious film. The new 3D version still retains the wonder that I experienced fifteen years ago. It’s not the most amazing 3D I’ve ever seen since it wasn’t made that way, but Cameron can do no wrong in my opinion. The film is lavish and luxurious just like the Titanic itself. It has romance and it has action. I see it as one of the greatest disaster-action flicks of all time. It’s a genre blockbuster and yet it retains intimate drama. It appeals to women and men and offers so much of what we go to the movies for in the first place. It’s a visual wonder to behold and even with a run-time of over three hours, the film moves along swiftly. It certainly puts the motion in motion picture and remains one of the ultimate movie theater going experiences. GRADE: A
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